My credits include Sound Design for “Samadhi: The Birth of Kabandha” at CCA Glasgow’s Emergence Festival, music for “Ojciec – A Skye Trail Record”, and a nomination for Best Sound Production at the 48 Hour Film Festival Glasgow for BUZZ K!LL. I colaborated with Narodowy Teatr Stary in Krakow have performed worldwide at festivals and venues including Warsaw Summer Jazz Days, Colours of Ostrava, Malta Festival, T-Mobile New Horizons, Audio Art Festival in Kraków, Casa del Jazz in Rome.
My performance and recording contexts include artists and composers such as Wojciech Waglewski, Mikołaj Trzaska, Adam Pierończyk, Dominik Strycharski, Tomasz Dąbrowski, Ray Dickaty, Harold Rubin, Vasco Trilla, Attila Csihar, Steve Blanco, Wukir Suryadi, Dóra Attila, Jack Wright, Krzysztof Wołek, Louisville Impro Ensemble, and film composer Jarosław Januszewicz, while my live support appearances have included contexts involving The Cinematic Orchestra and Tricky.
Through projects including Pulsarus, CueFX, Max Klezmer Band, Nucleon, Pasimito, Sigihl, Whalesong, and Total Saints, I work across composition, sound design, recording, dialogue editing, mixing, and audio post-production, with a focus on cinematic detail, sonic depth, and strong narrative impact.
Sound Design, Music and Live Performance
2026
Drawn from the Ramayana, Samadhi: The Birth of Kabandha blends epic myth with modern alienation, following a celestial musician whose pursuit of liberation pushes him to disrupt the divine order and question the true cost of dignity, rebirth, and transcendence.
I was responsible for both sound design and music, creating a sonic language that moves between ritual, tension, and cinematic immersion. The work allowed me to build an expressive audio world that supports the production’s mythic themes and dramatic energy.
Short Horror Film
Sound Recordist and Production
2025
Created for the Glasgow edition of the 48 Hour Film Project, I worked as sound recordist and was responsible for sound production. Produced under the intense time constraints of the 48-hour format, the project demanded precise on-set audio work, adaptability, and a strong sense of sonic continuity. The film was nominated for Best Sound Production.
Short Documentary for La Sportiva® and Petzl® supported athlete.
Director: Jordan Young
2025
Ojciec follows athlete Jacob Snochowski as he takes on the 80 mile Skye Trail supported Fastest known time. Battling rugged hills, endless bogs, and over 4,400 metres of elevation across one of Scotland’s wildest landscapes. As a new father, Jacob’s journey is about more than just speed. It's a quiet reflection on shifting priorities, resilience, and the pull of family.
Music: Sgàil - Aleksander Papierz, An Cladach Ceöthach - Aleksander Papierz, Cinematic Skye - Valtos, 1990 - Valtos, Solas - Valtos Spearhead - Valtos, Ulfhednar - Danheim, Darkscape - Liborio Conti, Wanderlust - Scott Buckley
To listen to Sgàil:
https://squawkerrecords.bandcamp.com/track/sg-il-2
Sound Design & Music
This project was created as part of a Spitfire Audio competition, for which I composed the music and designed the sound. My aim was to build a strong emotional arc through a combination of score, sonic detail, and dramatic pacing.
Saxophones
2014 - 2015
Total Saints was a live interdisciplinary performance project combining improvised music, electronics, prepared piano, and visual art. My role on saxophones was part of a larger collaborative structure in which sound, texture, and image evolved together in realtime across festival performances in Katowice at JazzArt Festival and Audio Art Festival in Kraków.
Saxophones and Co-copmoser
Albums: Squared Rotoscope, FAQ, Bee Itch.
2006 - 2013
Pulsarus was an experimental jazz and electroacoustic ensemble in which I performed on saxophones across the albums Squared Rotoscope, FAQ, and Bee Itch. The project combined improvisation, electronics, rhythmic complexity, and contemporary jazz language, allowing me to contribute to a sound world that moved between structure, abstraction, and cinematic intensity.
Saxophones and Live FX
Albums: Commandor Koenig to Alpha Base: The Eagle is Ready for Take Off, Fitoplankton, and Galofalot.
2009 - 2016
NUCLEON was an experimental improvised music project in which I performed on saxophones alongside Jakub Rutkowski, Tomek Głuc, and Michał Dymny. The group combined free jazz, electronics, rock influence, and sonoristic experimentation, creating a sound built on collective interaction, extended texture, and high-intensity improvisation.
Saxophones and Co-copmoser
Albums: Consumer (Single), Radiance of a Thousand Suns, Radiant Suns Deformed, Leaving a Dream
2019 - still active
I contributed extensively processed and acoustic improvised saxophone to Whalesong, Michał “Neithan” Kiełbasa’s experimental dark-music project, appearing as Pope on several releases and later under my full name on Leaving a Dream. These recordings also feature internationally recognised contributors including Attila Csihar, Thor Harris, Steve Blanco, Wukir Suryadi, and Wacław “Vogg” Kiełtyka. My role brought an acoustic, textural, and improvisational voice into a dense sonic environment built from doom, industrial, and noise, with a cinematic atmosphere.
Saxophones and Co-copmoser
Albums: international post-war chill, 12 bizarre pieces
I performed with Cuefx / Cuefx Band as a saxophonist in a project combining jazz, abstract hip-hop, electronics, noise, and cinematic atmosphere. My contributions appear on International Post-War Chill and within the broader Cuefx Band context, documented on 12 bizarre pieces (Live @ Jazzart Festival Katowice), alongside artists including Agnieszka Twardoch, Robert Zając, Dominik Strycharski, Tomasz Barzęc, and Jacek Latoń, with additional guest appearances on the studio album by Prof. Tadeusz Sławek, dj Jazzbin, and Elwira Skrobska. The project brought my playing into a dark, textural, and rhythmically driven sound world where improvisation, song-based structure, and experimental production met in a distinctly original form.
Saxophones and Co-copmoser
Albums: Trauermärsche (And a Tango upon the World’s Grave)
2014
Sigihl was an experimental extreme-music project in which I performed on saxophone as Pope and wrote lyrics, helping shape a sound that merged sludge, doom, drone, and black-metal elements into a dense and ritualistic sonic form.